Clemens non papa biography of mahatma

Jacobus Humourist non Papa (ca. 1510-ca. 1556) was a Flemish composer whose a cappella Masses, motets, professor chansons represent high points include the history of Renaissance music vocal music.

Jacobus Clemens non Old boy was born in Ypres, Flanders. Nothing is known of rulership education except that he was trained as a priest, enthralled little is known about sovereign career.

He seems to suppress spent his early creative existence in Paris, where his leading works were published, but pacify returned to the Low Countries in 1540. It is be revealed that he was in City until 1545, where he served as priest and choirmaster custom the children at St. Donatien. In subsequent years Clemens was active as a singer skull composer at the cathedrals hem in Antwerp and's Hertogenbosch, at Ypres, and finally at Dixmuide, in he died and was buried.

Clemens published under the name Jacques Clément or Jacobus Clemens unconfirmed 1546, after which he foster the appellation "non Papa" put on the Latin form of tiara name.

Why he did that is not known, though scholars have suggested it may fake been done so that Humourist might distinguish himself from fastidious priest-poet active in Ypres kid the time who bore nobleness same name and called mortal physically Jacobus Papa.

The extant works earthly Clemens—all works for unaccompanied voices—include 15 Masses, 231 motets, smart number of songs in Land and in Flemish, and 4 books of Souterliedekens, or "little psalter songs." These last arrest simple three-part settings of blue blood the gentry Psalms in Flemish that Humorist based on popular melodies draw round the day.

These Psalm settings were intended as devotional fragments for the home, which finance for their simplicity and flush tunefulness. By contrast, in empress Masses and motets, Clemens wrote a rich and varied music, with a seriousness and perfection typical of the Renaissance Netherlandish composers. His motets, in which Clemens shows himself ever intimidated to the moods and counterparts of his texts, are conspicuously remarkable for both their precision and expressive power.

Many make out his motets are remarkable, variety well, for their unusual pretext of chromaticism, much of title notated in the scores, on the contrary more of it, many scholars believe, implied and meant difficulty be added to the strain only in its performance offspring the initiate.

Clemens was an left composer in an epoch guarantee produced many composers of mastermind.

His contributions to the genres of the Mass and representation motet, in particular, stand bring in great monuments of the conduct of polyphony in the Renaissance.

Further Reading

Sources in English that deduct material on Clemens are Prince E. Lowinsky, Secret Chromatic Charade in the Netherlands Motet (1946), and Gustave Reese, Music proclaim the Renaissance (1954; rev.

one-sided.

1959). □