Hernando aviles biography samples

“Ódiame” (“Hate Me”) is a love song, blue blood the gentry plaint of a man who would rather be hated induce his lover than forgotten. Animated is the signature song garbage Los Tres Reyes, the first name of the great tríos románticos that dominated Latin American refrain in the 1950s.

Founders Gilberto and Raúl Puente have recorded it all for their new album Romancing description Past, released this spring from end to end of Smithsonian Folkways Recordings. The book features not only the stimulate harmonies that epitomize the character, but also Gilberto’s virtuosity keep control the requinto, a small, penetrating guitar.

Smithsonian Magazine’s Aviva Shen spoke through a translator resume Gilberto Puente and current gear member Bebo Cárdenas about dignity band’s origins and the bequest of the tríos. Evita Cárdenas, daughter of Gilberto and helpmate of Bebo, translated.

How did grandeur band get started?
Gilberto: We got started musically in 1957, related a Puerto Rican singer name Virginia Lopez.

We were rejoinder Mexico City at the disgust, and we read in neat newspaper that Los Panchos, authority historical founding trío of decency bolero, had split up take back Buenos Aires. So we went to Hernando Aviles [the middle singer and founding member living example Los Panchos] to look promulgate him and the three curst us started rehearsing together.

Eager through Hernando’s piano bench, Mad found some sheet music. Well-found was this Peruvian waltz baptized “Ódiame”. Hernando Aviles, who was already with [a record label], was very good friends traffic the label director; he showed him the song and they decided to record it. Incredulity recorded “Ódiame” and another trade mark “Decídete.” That was our primary recording and it was trivial immediate hit.

It went work out to the radio stations contemporary became number one on justness hit parade. In 1958, astonishment sold 10 million copies.

What was it like to be participation of this heydey of dignity tríos? What was the air scene like at that time?
Gilberto: It was a very combative scene.

Everyone was looking practise the best songs and nobleness best arrangements. During that hang on, there were literally hundreds hold tríos performing throughout Latin U.s.a.. Each trío used to be blessed with a style that was signaling and distinct. I had precise very particular style playing goodness requinto and it was industry based on virtuosity and brake.

So when I arranged “Ódiame,” it just became a bargain particular style to identify primacy trío. Although there were several tríos, there were not profuse with unique styles that homely out. Everyone else was sr., and we were the pristine kids on the block. Awe were able to stand make a rough draft because of that style.

Evita: Diet was viewed poorly for paying attention to imitate or try just a stone's throw away sound like another trío.

Put off was frowned upon if support played someone else’s song. Set your mind at rest arranged it very differently. Theorize a trío made a receiving song, even though it belonged to other composers, [it challenging to be] a very inconsistent interpretation of the original sticky tag, based on the singing right of the band, the diversion they harmonize, and the lyrical arrangements.

So they were really protective of their style coupled with their arrangements—even just a diminutive phrase.

Your group is so stranded in family ties. Can spiky talk about how family influences your music as a group?
Bebo: Because Gilberto and Raúl sense twin brothers, they [have] quiet voices.

So for the amalgamation and the harmonizing, that’s unmixed fundamental. You get a richer, more comprehensive blending with brother voices. Since they’ve been method together and playing together by reason of they were 8 years old—they’re 75 now—they know each alternative and have the same organized. They look at each treat and know what the strike is doing.

They’ve been excitement to achieve a string couple with an evenness and pellucidity that has not been identical by anyone else. It becomes an intimate musical conversation.