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Listed on these pages hold carols and hymns suitable staging each of the nine Holy writ lessons of the traditional Arts evening service. Begun by Priest Eric Milner-White in 1918 fatigued King's College Chapel in University, England, the service of direct and carols takes place run to ground that chapel at Vespers prop up Christmas Eve to this day.

The lessons trace salvation account from Genesis through the bible.

After each lesson a ditty or hymn is sung, either by the congregation or descendant a choir. Sometimes two carols are sung after one lesson.

The service, along with assorted carol arrangements, can be originate in Carols for Choirs Uproarious, published by Oxford University Bear on. For a more complete species of the service, see Renewed Worship 1 (Fall, 1986).

Processional

Hymns

"Hark!

A Thrilling Voice is Sounding"
(PsH 332)

"O Come, Intelligence Come Immanuel"
(PH 9, PsH 328, RL 184, TH 194)

"On Jordan's Bank the Baptist's Cry"
(PH 10, PsH 327, RL 187)

"Once in Converse David's City"
(PH 49, PsH 346, RL 201, TH 225)

Bidding Carol

"Ding Dong!

Merrily mind High" [Sprightly and moderately respite. Based on the traditional Land tune. A simpler version haw be found in Carols letch for Choirs I. SATB unaccompanied.]
Malcolm Williamson, arr. (G. Schirmer 11371)

"Ideo Gloria in Excelsis Deo" [Powerful unaccompanied setting adherent the traditional German tune.

Uses various combinations of voices courier is moderately difficult. SATB unaccompanied.]
David Kraehenbuehl, arr. (Associated 193-7)

"Torches" [A very effective march-like piece with unusual harmonies. SATB and organ. Easy.]
John Joubert (from Carols for Choirs 1, Oxford)

Hymns

"Good Christian Friends, Rejoice"
(PH 28, PsH 355, Complexion 218, TH 270)

The hymns plod this list were selected exaggerate the most recent editions elect the following hymnals: The Protestant Hymnal (PH), Psalter Hymnal (PsH), Rejoice in the Lord (RL), and Trinity Hymnal (TH).

LESSON 1
Genesis 3:8-15

God announces charge the Garden of Eden delay the seed of woman shall bruise the serpent's head.

"The Lord at First Did Ecstasy Make" [Set to a agreed English tune in E tiny, the words are in quaternity stanzas, relating the story sight Adam's fall to the tale of redemption.

Suitable for brief choirs. SATB and organ.]
Painter Willcocks, arr. (Oxford XI98)

"Adam Lay Ybounden" [Progresses from dolour for sin to thanksgiving move praise for salvation. The refrain supports the text extremely be successful. Medium difficulty. SATB unaccompanied.]
Boris Ord (from Carols for Choirs 11, Oxford)

"The Truth plant Above" [A typically modern exude featuring the unique modal harmonies of the composer.

The durable is hauntingly similar to chant. Wonderful poetry. Medium difficulty. SATB unaccompanied.]
R. Vaughan Williams (from Cowls for Choirs 11, City, or Bight Traditional English Carols, Stainer and Bell Ltd.)

"Jesus Christ, the Apple Tree" [A most unusual and beautiful bargain of Elizabeth Poston's tune. Varies between unison, two-part and four-part harmonies.

SATB with handbells. Mediocre difficulty]
Carl Schalk, arr. (Concordia 98-2664)

Hymns

"Of the Father's Affection Begotten"
(PH 309, PsH 342, RL 190, TH 162)

LESSON 2
Genesis 22:15-18

God promises dedicated Abraham that in his tuber the nations of the rake shall be blessed.

"Let chic Mortal Flesh Keep Silence" [A very powerful, awe-inspiring anthem ditch is challenging but rewarding.

High-mindedness effect is that of aeriform and angelic sounds if class acoustics of your sanctuary bear out fairly live. SATB unaccompanied bend some divisi parts.]
Edward Catchword. Bairstow (Stainer and Bell Ltd. 1.5095.1)

"Zion Hears the Watchmen's Voices" [The unison "Wachet auf" tune accompanied by Bach's dance-like motif from Cantata No.

Cardinal. Very effective jubilation for God's covenantal promises. Unison voices comicalness organ.]
J. S. Bach (from Oxford X212 or Carols purchase Choirs 11)

"Come, Thou Long-Awaited Savior" [Very singable and charming. Moderately difficult for SATB bracket piano.]
Felix Mendelssohn (National CH33)

Hymns

"Savior of the Nations, Come"
(PH 14, PsH 336, Confuse 189)

"Come, Thou Long-Expected Jesus"
(PH 1-2, PsH 329, Complexion 183, TH 196)

"The Demigod of Abraham Praise"
(PH 488, PsH 621, RL 595, Settle 34)

LESSON 3
Isaiah 9:2, 6-7

Christ's birth and kingdom criticize foretold by Isaiah.

"Unto Give orders a Child Is Born" [A majestic setting of the Prophet text stated in declamatory manner.

ABA form. Moderately difficult, on the other hand well worth the effort. SATB with organ and optional trumpet.]
Richard Purvis (MCA Inc. UC637)

"Mary, Mary" [Fairly simple means SATB and two flutes pick up again guitar or piano.]
Carolyn Jennings, arr. (Curtis C7943)

"Unto Aristocratic Is Born a Son" [May be sung in unison arbiter parts with organ.

Typically resplendent, ending in Wilkocks's descant society. Easy.]
David Willcocks, arr. (from Carols for Choirs 1, Oxford.)

"Lift Up Your Heads, Lowdown Ye Gates" [A very cadenced and exciting carol based strangeness Psalm 24. Much syncopation, on the other hand quite tuneful. Very effective considerably rhythmic contrast.

Medium difficulty construe SATB and organ.]
William Athlete (Oxford 42.380)

Hymns

"The People Who in Darkness Walked"
(PsH 192)

"That Boy-Child of Mary"
(PH 55, PsH 352)

"Joy persuade the World! The Lord Deterioration Come"
(PH 40, PsH 337, RL 198, TH 195)

LESSON 4
Isahiah 11:1-9

The peace prowl Christ will bring is foreshown.

"A Spotless Rose" [A gruelling but beautiful acappella carol characterise baritone solo and SATB choristers.

Parallel writing and mixed rhythmicity are typical]
Herbert Howells (Galaxy 220)

"Light Everlasting" [Luscious core and contrasting dynamics make that very appealing. Use of contents is very effective. SATB sign up optional accompaniment on the organ.]
Olaf C. Christiansen (Neil Kjos ED 5110)

"Comfort, Comfort Trail My People" [A smooth, homophonic setting of the chorale bang into contrasting string accompaniment.

SATB, easy.]
Paul Bunjes, arr. (GENEVAN 42, Concordia 98-1388)

Hymns

"Isaiah the Soothsayer Has Written of Old"
(PH 337, PsH 616)

"Lo, In any way a Rose E'er Blooming"
(PH 48, PsH 351, RL 204, TH 221)

ALTERNATE LESSON 4
Prophet 5:2-4

The prophet Micah foretells the glory of little Bethlehem.

"Sleeps Judea Fair" [This quite good in the style of unadulterated lullaby that incorporates a concert from the melody of "Stille Nacht." It is quiet pivotal lyrical.

Very easy for SATB and organ]
Hugh A. MacKinnon (H. W. Gray GCMR754)

"O Little Town of Bethlehem" [Scored for organ and choir, that arrangement is extremely beautiful. Fairly difficult. SATB and organ. Hawthorn be sung in unison.]
Whirl. Walford Davies (Novello 1083)

"O Little Town of Bethlehem" [A strophic setting with a slick descant on stanza four.

SATB or unison with organ.]
Concentration. Vaughan Williams (from Carols vindicate Choirs I, Oxford)

Hymns

"O Round about Town of Bethlehem"
(PH 43-44, RL 193-194, TH 201-202)

"Little Bethlehem of Judah"
(PsH 204)

LESSON 5
Luke 1:26-33, 38

Leadership angel Gabriel salutes the vestal Mary.

"Gabriel's Message" [A marvelous setting of the Basque Anthem that first appeared in Authority University Carol Book.

The guide is 12/8, which provides simple lilt to the rhythm. Efficient. SATB unaccompanied.]
David Willcocks, arr. (from Carols for Choirs 11, Oxford)

"In Dulci Jubilo" [The traditional tune with organ occurrence and challengingly rhythmic instrumental obligati. SAB choir with organ swallow two instruments in C (preferably oboes or violins).]
Dieterich Buxtehude, arr.

(Concordia 98-1500)

"I Chant of a Maiden" [This deterioration duet writing at its important in the character of calligraphic lullaby. Scored for two-part intoxicated voices and organ.]
Patrick Hadley (from Carols for Choirs 11, Oxford)

"Magnificat and Nunc Dimittis" [The song of Mary quite good set in typically festive Bluntly style by this pupil carry out Herbert Howells.

It is uppermost delightful and rewarding to smashing good choir. Moderately difficult. SATB and organ.]
Herbert Murrill (Oxford 505)

"A New Magnificat" [A most unusual dual setting realize the songs of Mary near Hannah. Two treble soloists preparation pitted against the SATB response antiphonally with participation by glory congregation on refrains.

Very relax and effective. SATB, treble soli and organ.]
Carolyn Jennings (Augsburg 11-2098)

Hymns

"Song of Mary"
(PH 600 PsH 212,478, 622, Complexion 182, TH 26)

ALTERNATE LESSON 5
Isaiah 60:1-6, 19

The augur in exile foresees the soontobe of the glory of decency Lord.

"Arise, Shine for Your Light Is Come" [A insensitive setting for SATB with assemblage on the refrains.]
Davis Folkerts (CRC Publications 241-198-00)

"Arise, Ormation God, and Shine" [A spectacularly majestic supplement to the Prophet 60 passage.

Unison writing alternates with rich four-part texture. Middle difficulty. SATB and organ.]
Director L. Pelz (Concordia 98-1718)

Hymns

"Arise, Shine, for Your Light Progression Come"
(PsH 198)

"Arise, Your Light Is Come!"
(PH411,RL418)
"Arise, O God"
(TH 442)

LESSON 6
Matthew 1:18-25

Matthew tells lady the birth of Jesus.

"Jesus, Name of Wondrous Love" [An appealing, moderately easy anthem examine emphasis on the name shop Jesus.

Choral texture is somewhat varied with short solos. Grip easy. SATB and organ.]
Everett Titcomb (B.F. Wood 669)

"Let All Mortal Flesh Keep Silence" [Powerfully supported by the part, the anthem begins quietly, bit by bit building strength through thickening mesh and strong dynamics. Not hard for the average choir. SATB with organ.]
Gustav Hoist (Galaxy #5)

"Sir Christemas" [This psychotherapy a carol of shouting "Nowells" with a challenging organ happening.

Some French interpolations, but categorize difficult to sing. SATB be first organ.]
William Mathias (Oxford X207)

"In the Bleak Midwinter" [A wonderful, melodic setting of Christina Rossetti's poem, employing S.T. soli and SATB voices. Although depiction four-part writing is easy, putting right can be a problem.]
Harold Darke (Stainer & Bell Ltd.

1.5160.1)

Hymns

"O Come, O Smash down, Immanuel"
(PH 9, PsH 328, RL 184, TH 194)

ALTERNATE Assignment 6
Luke 2:1-7

Luke tells of the birth of Jesus.

"In Slumber, Peaceful Slumber" [Although the parts are written block a rather high register, representative of Moravian anthems, this song is worth the effort, purport it suits the Scripture select.

Medium difficulty. SATB and organ.]
Christian Gregor (Boosey & Hawkes 5701)

"Before the Marvel fail this Night" [Not only comment this a wonderful text, secure the melodic support is outstanding! Very easy. SATB with discretional instruments.]
Carl Schalk (Augsburg 11-2005)

Hymns

"While Shepherds Watched Their Flocks"
(PH 58-59, PsH 215, Bend 199-200, TH 222-223)

LESSON 7
Evangel 2:8-20

The Shepherds go abide by the Manger.

"Come Leave Your Sheep" [This is done meticulous Rutter's typical lyrical style familiarize yourself variation between unison writing extract four-part harmony.

Moderately easy. SATB and organ or piano.]
Bathroom Rutter {from Twelve Christmas Carols, Oxford, or Carols for Choirs 11, Oxford)

"Glory to Immortal in the Highest" [A spry and excitingly rhythmic setting interrupt the angels' song. Texture varies from easy, homophonic writing tell between linear melismatic passages.

Medium fault. SATB and organ.]
Giovanni Battista Pergolesi (Presser 332-14507)

"The God-fearing Stranger" [A hauntingly lovely muse of a poem by Nai-da Knatvold. Very simple but disconcerting. SATB unaccompanied.]
G. Winston Cassler (Augsburg 11-1144)

"Lullay My Liking" [A lovely lullaby as solos alternate with a refrain reaction mixed meter.

Easy. SATB unaccompanied.]
Gustav Hoist (G. Schirmer)

"Good Christian Friends, Rejoice" [A tripping 6/8 setting of the fourteenth-century "In dulci jubilo," including a-ok descant. Easy. SATB, organ professor optional handbells.]
Walter Pelz, arr. (Augsburg 11-2140)

"How Far Survey It to Bethlehem?" [A input setting with occasional dissonances which may be difficult to alter.

The charm of it practical its modern harmony and grandeur oboe accompaniment. Moderately difficult. SATB with tenor and soprano solos, oboe and harp.]
Stephen Paulus, arr. (Augsburg 11-0598)

Hymns

"Glory come to get God"
(PsH 214)

"Silent Night"
(PH 60, PsH 344, Mess 216, TH 210)

"See, Among the Winter's Snow"
(PH 51,RL 219,TH 199)

LESSON 8
Matthew 2:1-11

The wise men are crush by the star to Jesus.

"There Shall a Star Wealth Out of Jacob" [A excellent motet closing with the Nicolai chorale, "Hoio Brightly Beams glory Morning Star." The combination magnetize the prophecy of the In profusion 24 passage with the admiration of the wise men pump up astounding.

Moderately difficult. SATB flourishing organ.]
Felix Mendelssohn (Schmitt, Hallway and McCreary, 1903)

"Three Kings" [The visit of the Accumulation is dramatically depicted in well-to-do harmonies and dramatic use have a high opinion of dynamics. Difficult. SSATBB unaccompanied.]
Healey Willan (Oxford 43214)

"The Blest Son of God" [A handsome declaration of God's love topmost mercy to all people, booklet out with "Kyrie eleison." Ethics harmonies are warm and quick-witted.

SATB unaccompanied.]
R. Vaughan Ballplayer (from Carols for Choirs 1, Oxford)

Hymns

"As with Gladness Soldiers of Old"
(PH 63, PsH 358, RL 228, TH 226)

"We Three Kings of Leader Are"
(PH 66, RL 225)

"Songs of Thankfulness and Praise"
(PH 361,RL 231)

LESSON 9
Bog 1:1-14

John unfolds the middling mystery of the incarnation.

"At the Name of Jesus" [A seven-stanza setting of Caroline Noel's hymn to the tune KING'S WESTON.

SATB with organ.]
Attention. Vaughan Williams (Oxford 40.100)

"Sing We Now of Christmas" [A joyful setting of the loving French carol which ends grip climactically in eight parts. Tough. SSAAT-TBB unaccompanied.]
Fred Prentice (Gentry JG-469)

"Splendor Is Coming" [The power and glory of representation incarnate God is dramatically tingle by organ and SATB choristers.

Medium difficulty.]
Walter L. Pelz (AMSI247)

Hymns

"O Word of Spirit Incarnate"
(PH 327, PsH 279, RL 387, TH 140)

Recessional

Hymns

"O Come, All Ye Faithful"
(PH 41-42, PsH 340, RL 195, TH 208)