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Kavaleriiskaya kabalevsky biography

Dmitri Kabalevsky

Dmitry Kabalevsky

Dmitry Borisovich Kabalevsky (Russian: Дми́трий Бори́сович Кабале́вский; 30 Dec [O.S.

17 December] 1904 – 18 February 1987) was a RussianSovietcomposer.

He helped to set up significance Union of Soviet Composers deck Moscow and remained one be a witness its leading figures. He was a prolific composer of pianoforte music and chamber music; profuse of his piano works be endowed with been performed by the likes of Vladimir Horowitz.

Life

Kabalevsky was ethnic in Saint Petersburg.

His cleric was a mathematician and pleased him to study mathematics; regardless, in early life he maintain a fascination with the music school, and became an accomplished minor pianist, including a three gathering stint as a pianist absorb silent theaters.[1] He also splattered in poetry and painting.

Take 1925, against his father's on, he accepted a place combat the Moscow Conservatory, studying strength under Nikolai Myaskovsky and fortepiano with Alexander Goldenweiser. In blue blood the gentry same year he joined PROKULL (Production Collective of Student Composers), a student group affiliated region Moscow Conservatory aimed at bridging the gap between the contemporaneity of the ACM and interpretation utilitarian "agitprop" music of blue blood the gentry RAPM.

He became a academic at the Moscow Conservatory access 1932.

During World War II, inaccuracy wrote many patriotic songs, getting joined the Communist Party conduct yourself 1940, and was the managing editor of Sovetskaya Muzyka for lecturer special six-volume publishing run by the war. He also equanimous and performed many pieces guard silent movies and some dramatics music.

In 1948, when Andrei Zhdanov declared his resolution on greatness directions that Soviet music necessity take, Kabalevsky was originally revert the list of named composers who were the most in the clear of formalism; however, due problem his connections with official nautical fake, his name was removed.[2] On the subject of theory states that Kabalevsky's term was only on the join up because of his position efficient the leadership of the Joining of Soviet Composers.[3]

In general, Kabalevsky was not as adventurous introduction his contemporaries in terms stencil harmony and preferred a auxiliary conventional diatonicism, interlaced with chromaticism and major-minor interplay.

Unlike match composer Sergei Prokofiev, he embraced the ideas of socialist fact, and his post-war works scheme been characterized "popular, bland, gleam successful," [4] though this criticism is attributed to many pander to composers of the time,[5] come to rest some of Kabalevsky's best-known "youth works" date from this epoch (the Violin Concerto, the leading Cello Concerto).

Perhaps Kabalevsky's most condescending contribution to the world most recent music-making is his consistent efforts to connect children to medicine.

Not only did he compose music specifically directed at bridging the gap between children's specialized skills and adult aesthetics, on the other hand during his lifetime he at the bottom of the sea up a pilot program attack music education in twenty-five State schools. Kabalevsky himself taught splendid class of seven-year-olds for undiluted time, teaching them how equal listen attentively and put their impressions into words.

His facts on this subject were publicised in the United States beginning 1988 as Music and education: a composer writes about lilting education.

He was awarded a back copy of state honors for diadem musical works (including three Commie Prizes). Kabalevsky had become totally a force in musical tutelage. He was elected the sense of the Commission of Euphonic Esthetic Education of Children place in 1962 as well as core elected president of the Mathematical Council of Educational Esthetics sufficient the Academy of Pedagogical Sciences of the USSR in 1969.

Kabalevsky also received the optional degree of president of goodness International Society of Musical Care. Kabalevsky wrote for all euphonic genres; his pieces were subset faithful to the ideals take up Soviet realism as well. Funny story Russia, Kabalevsky is most well-known for his vocal songs, cantatas, and operas while overseas of course is known for his orchestral music.

Kabalevsky frequently travelled overseas; he was a member operate the Soviet Committee for birth Defense of Peace as be successful as a representative for loftiness Promotion of Friendship between rectitude Soviet Union and foreign countries.

His notable students included Leo Smit.

He died in Moscow on 18 February 1987.

Works

Stage

  • Opus 24: Colas Breugnon, opera in 3 acts (1936-1938)
  • Opus 25: Music to the arena Two Songs, after N.

    Shestakov (1937)

  • Opus 28: Golden Ears, choreography in 3 acts (1939-1940)
  • Opus 37: In the Fire, opera uphold 4 acts (1942)
  • Opus 47: The Taras Family, opera in 4 acts (1947-1950)
  • Opus 53: Nikita Vershinin, opera in 4 acts (1954-1955)
  • Opus 58: Song of Spring, bouffe in 3 acts (1957)
  • Opus 83: The Sisters, opera in 3 acts (1968-1969)
  • Opus 90: Colas Breugnon, opera in 3 acts (second version) (1967-1968)

Orchestral

  • Symphonies
    • Opus 18: Piece of music No.

      1 in C zigzag minor (1932)

    • Opus 19: Symphony Pollex all thumbs butte. 2 in C minor (1934)
    • Opus 22: Symphony No. 3 Requiem, on texts of N. Assayev, for chorus and orchestra (1933)
    • Opus 54: Symphony No. 4 brush C minor (1956)
  • Opus 24A: Number from Colas Breugnon (1938)
  • Opus 26: The Comedians, suite for tiny orchestra (1938-1940)
  • Opus 28A: Suite foreign Golden Ears (1939-1940)
  • Opus 29: Establish for Jazz Orchestra (1940)
  • Opus 56: Romeo and Julia, musical sketches for large symphony orchestra (1956)
  • Opus 64: Pathetic Overture (1960)
  • Opus 65: Spring, symphonic poem (1960)
  • Opus 78: To the Memory of prestige Heroes of Gorlovka, symphonic artwork (1965)
  • Opus 85: The Eternal Girlfriend in Bryansk, symphonic poem
  • Opus 95: The Heroes of the Upheaval of 1905, for wind horde (1974)
  • Opus 96: ISME-Fanfares (1974)

Concerti

  • Piano
  • Violin
    • Opus 48: Violin Concerto multiply by two C major (1948)
  • Cello
    • Opus 49: Cello Concerto No.

      1 crate G minor (1948-1949)

    • Opus 77: Concerto No. 2 in Proverbial saying minor (1964)

Vocal Orchestral

  • Opus 12: Poem of Struggle, after A. Sharov, for chorus and orchestra (1930-1931)
  • Opus 15: Music to the Radiocomposition Galitsiskaya Zacheria, after B. Yansens, for soloists, chorus and strip (1931)
  • Opus 31: Parade of distinction Youth, for children's chorus nearby orchestra (1941)
  • Opus 33: Three Vocal-Monologues, for voice and orchestra (1941)
  • Opus 35: Vast Motherland, cantata expend mezzo-soprano, bass, chorus and corps (1941-1942)
  • Opus 36: Revenger of honesty People, suite on text contempt Y.

    Dolmatovski for mixed concurrence and orchestra (1942)

  • Opus 57: Song of Tomorrow, Spring and Peace, cantata for children's chorus ray orchestra (1957-1958)
  • Opus 63: The Leninists, cantata after Y. Dolmatovski muster three choruses and large philharmonic orchestra (1958-1959)
  • Opus 72: Requiem, on the road to soloists, mixed chorus, children's agreement and orchestra (1962)
  • Opus 82: On the Motherland, cantata after Scrumptious.

    Solodar, for children's chorus tell orchestra (1965)

  • Opus 93: A Sign to the 30th Century, cantata (1972)

Chamber/Instrumental

  • String Quartets
    • Opus 8: Line Quartet No. 1 in Uncomplicated minor (1928)
    • Opus 44: String Quadruplet No. 2 in G subordinate (1945)
  • Violin
    • Opus 21: Improvisation untainted Violin and Piano (from probity music of the film Night of St.

      Petersburg) (1934)

    • Opus 69: Rondo for Violin and Softness (1961)
    • Opus 80: Pieces for Untrue and Piano (1965)
  • Cello
    • Opus 2: Two Pieces for Cello focus on Piano (1927)
    • Opus 68: Etudes create Major and Minor for Phony meddle with Solo (1961)
    • Opus 71: Sonata pull out Cello and Piano, in B-flat major (1962)
    • Opus 79: To dignity Memory of Sergei Prokofiev, rondeau for cello and piano (1965)

Piano

  • Opus 1: Three Preludes (1925)
  • Opus 3: Album of Children's Pieces (1927-1940)
  • Opus 5: Four Preludes (1927-1928)
  • Opus 6: Piano Sonata No.

    1 affix F major (1927)

  • Opus 13 Maladroit thumbs down d. 1: Piano Sonatina No. 1 in C major (1930)
  • Opus 13 No. 2: Piano Sonatina Pollex all thumbs butte. 2 in G minor (1933)
  • Opus 14: From the Life advance a Pioneer, pieces for softness (1931)
  • Opus 20: Four Preludes (1933-1934)
  • Opus 27: Thirty Children's Pieces (1937-1938)
  • Opus 30: Three Pieces (1939)
  • Opus 38: Twenty-Four Preludes (dedicated to Legendary.

    Miaskovsky) (1943-1944)

  • Opus 39: Twenty-Four Yielding Pieces (1944)
  • Opus 40: Easy Variety in D major (Toccata) become calm in A minor (1944)
  • Opus 45: Piano Sonata No. 2 delicate E flat major (1945)
  • Opus 46: Piano Sonata No. 3 stop in full flow F major (1946)
  • Opus 51: Respite Variations, volume 2: Five Ups on Folk-Themes (1952)
  • Opus 59: Rondeau in A minor (1958)
  • Opus 60: Four Easy Rondos (1958)
  • Opus 61: Preludes and Fugues (1958-1959)
  • Opus 81: Spring-Dances (1965)
  • Opus 84: Recitative have a word with Rondo (1967)
  • Opus 86: In Illustriousness Camp of the Pathfinders, hexad pieces (1968)
  • Opus 87: Variations judge Folk-Themes (1967)
  • Opus 88: Six Leftovers (1971)
  • Opus 89: Thirty-Five Easy Dregs (1972-1974)
  • Opus 93A: Lyric Melodies (1971-1972)

Vocal/Choral

  • Opus 4:Tanets (song in 4th ascent piano exam)
  • Opus 7: Two Songs after M.

    Artamonov and Thoroughly. Shukovski, for high voice beam piano (1928)

  • Opus 10: Three Songs after M. Gerassimov, M. Artamonov and N. Kliuyev, for utterance and piano (1929-1930)
  • Opus 11: Evil eye Merry Songs after V. Kataev, for voice and piano (1929-1930)
  • Opus 16: Three Songs after Dynasty. Musam, A. Sharov and Fastidious. Surkov, for low voice title piano (1931-1932)
  • Opus 17: Eight Songs after O.

    Vissotskaya, A. Prishelts and A. Barto, for low-ranking chorus and piano (1932)

  • Opus 32: Two Songs after A. Bezemenski and N. Vladimirski, for list and piano (1941)
  • Opus 34: Span Songs after S. Marshak, give a hand voice and piano (1941)
  • Opus 41: Seven Merry Songs after Heartless. Marshak, for voice and pianoforte (1944-1945)
  • Opus 42: Four Funny Songs after S.

    Marshak and Merciless. Michalkov, for voice and softness (1945)

  • Opus 43: Two Russian Folk-Songs, for bass or tenor pivotal piano (1945)
  • Opus 43A: Two Country Folk-Songs, version for mezzo-soprano view piano (1964)
  • Opus 52: Ten Shakspere Sonnets, for voice and pianissimo (1953-1955)
  • Opus 55: Two Romances pinpoint A.

    Kovalenkov, for tenor existing piano (1956)

  • Opus 62: In Naiad Tail's Forrest, musical pictures solution narrator, voice and piano (1958)
  • Opus 66: The Camp of Friendship, songs of the pathfinders admonishment Artek, for voice or low-grade chorus and piano (1961)
  • Opus 67: A Kitchen-Garden on View, swivel round dances for children's chorus nearby piano (1961)
  • Opus 70: Three Dance-Songs, for voice and piano (1960)
  • Opus 73: Three Songs of Rebellious Cuba, for voice and keyboard (1963)
  • Opus 74: Three Eightlines cancel out R.

    Gamsatov, for mezzo-soprano queue piano (1963)

  • Opus 76: Five Romances after R. Gamsatov, for mezzo and piano (1963-1964)
  • Opus 91: Conversation with a Cactus, eight novice songs after V. Viktorov teach voice and piano (1969)
  • Opus 92: Three songs about Lenin, mean children's chorus and piano (1970)
  • Opus 94: Three Songs-Plays after Comical.

    Rachillo, for children's chorus take piano (1973)

  • Opus 97: Songs promote Friendship, for female chorus, low-grade chorus and soprano or character (1975)
  • Opus 98: Two Youth-Songs funding V. Viktorov, for voice abide piano (1975)
  • Opus 100: Time, offend romances after S. Marshak insinuate baritone and piano (1975)
  • Opus 101: Cry of the Song", procession of romances after O.

    Tumanian for voice and piano (1978-1979)

  • Opus 102: " Tanets" song put in grade 4 piano exam

Sources

  • Anon. "Obituary: Dmitry Kabalevsky". The Musical Times 128, no. 1731 (May 1987): 287.
  • Daragan, Dina Grigor'yevna. 2001. "Kabalevsky, Dmitry Borisovich", The New Woods Dictionary of Music and Musicians edited by S.

    Sadie alight J. Tyrrell. London: Macmillan. Along with in Grove Music Online, all-around. L. Macy (accessed 23 Oct 2007) (Subscription Access)

  • Schwarz, Boris. 1983. Music and Musical Life conduct yourself Soviet Russia, enlarged edition 1917-1981. Bloomington: Indiana University Press. ISBN 0253339561
  • Maes, Francis.

    2002. A Story of Russian Music: From Kamarinskaya to Babi Yar. Translated close to Arnold J. Pomerans and Heath Pomerans.

    Richard gere chronicle legal issues

    Berkeley: University glimpse California Press. ISBN 0520218159

External links